Showing posts with label Basil Rathbone. Show all posts
Showing posts with label Basil Rathbone. Show all posts

Tuesday, May 17, 2022

Old School!

We run into a couple of cheapo VHS releases of the "A Christmas Carol" episode of "Tales from Dickens" series from 1959.

First is this one from Burbank video:



Interesting art choice!

I notice that the back cover actually admits it's in the EP mode. For those of you who don't remember (or weren't born?), that was the slow speed on a VCR as in it used the lest amount of tape, so the quality was lower. But, hey, for $1.99!

It also says it's color, but I doubt that.

And the copy is just so strange. I hope my writing is better than that!

Then there's this one from PMC Video:



The cover is kind of striking if you can picture it on a VHS box.

Odd that it's titled "Scrooge," though, with no indication of the source.



And the back has a generic synopsis of the story, which is also odd, as if you know the story, you don't need them rehashing it, and if you somehow don't know the story, it's totally spoiled for you!

The woods were full of cheap VHS copies of public domain material back in the day, but we were happy to be able to watch stuff at our leisure and couldn't squawk too much!

Sunday, May 15, 2022

One More Cover!

Columbia Records finally seemed to settle on this cover for reissues of Basil Rathbone's recording of "A Christmas Carol":




I do like the cartoon version of Scrooge!

Wednesday, May 11, 2022

Harmonious!

Columbia Records had another nice cover for Basil Rathbone's recording of "A Christmas Carol" when they reissued it on the Harmony budget label (1960s?):


Can't beat that first edition John Leech artwork!

Saturday, May 7, 2022

Oh, You Meiser!

I like the cover of the 45 rpm EP of Basil Rathbone's "A Christmas Carol" recording for Columbia Records:


I think the cover was done specifically for this release (early 1950s?) rather than it just being another version of the original 78 rpm album cover, which was this:



The original LP issue from 1949 (which added the carols from the Lyn Murray singers to extend the run time) did rework the 78 rpm album cover in a not overly exciting manner:




Oh, and I hadn't thought of it before, but I'm presuming that Edith Meiser, who did the adaptation for the recording, pronounced her last name like "miser."

It takes one to know one!

Thursday, October 28, 2021

Universal Monsters - Part 6


As we continue to make connections between the "Universal Monsters" series of films and various adaptations of "A Christmas Carol," we land in 1939 with "Son of Frankenstein" for perhaps the greatest connection of all!

The star of the movie is Basil Rathbone in the title role as Baron Wolf von Frankenstein (perhaps the best horror movie name ever!).

I think Rathbone does seem like he could be the son of Colin Clive from the first two "Frankenstein" films and gives the proceedings that certain oomph that he brought to whatever role in whatever genre.

Of course, Basil Rathbone looms large in the world of "A Christmas Carol" adaptations with his 1942 78 rpm album on Columbia Records, his turn as Marley's Ghost in the  1954 "Shower of Stars" production and his starring roles as Scrooge in 1956's "The Stingiest Man in Town" and 1959's "Fredric March Presents Tales from Dickens" version!

Always good!



Sunday, April 25, 2021

"A Christmas Carol" - AFRS (1943) - Part 2




If you got a chance to listen to Basil Rathbone as Ebenezer Scrooge in the 1943 AFRS recording of "A Christmas Carol," you might have experienced a bit of déjà vu.

After the AFRS (Armed Forces Radio Service) announcer introduces the show, we hear the very familiar (to me anyway) tones of Harlow Wilcox setting the scene.


My first thought is that sounds a lot like the 1942 Columbia Records recording. As Harlow talks some more and we hear a music sting then Basil Rathbone and Elliot Lewis (as Fred), I know this is that recording!

That's actually not much of a surprise, as the AFRS did a great job of assembling programs from various sources for service personnel who were starved for entertainment from home and this record set is of the highest quality, as good as if not better than a radio broadcast.

The recording had been released by Columbia just a year before. I wonder if any of the soldiers had heard the records before going in the service and recognized them as the source of the AFRS show. In any event, I'm sure everyone enjoyed it.

To round out the program, we hear the great Metropolitan Opera star Richard Crooks sing Schubert's "Ave Maria." The announcer says, "Richard Crooks joins the orchestra to sing for you..." but I'm fairly certain that they used this record from 1939:


Whatever the source, it's a lovely recording.


Richard Crooks was well-known at the time among certain radio listeners for his singing on "The Voice of Firestone," the long-running radio series featuring classical music.

I think the general perception of WWII soldiers and sailors in a musical sense is that they were jitterbugging big band fans. And while the big bands were the top musical stars of the day, there were also a lot of classical music fans who were in the service.

I'm sure there were listeners who were thrilled to hear some "real" music as part of this special AFRS Christmas program!

So, a solid Christmas program assembled by the AFRS. Not entirely unlike how they repurposed an episode of Lionel Barrymore's "Mayor of the Town" radio series into the Christmas episode of "The Globe Theater" AFRS series.

Fun fact: "The Globe Theater" host Herbert Marshall was a member of the London Scottish Regiment of the British Army during World War I and at various times the regiment also included future Scrooges Basil Rathbone, Ronald Colman and Claude Rains!

Saturday, April 24, 2021

"A Christmas Carol" - AFRS (1943) - Part 1


Because we never really stray from Basil Rathbone, here he is as Ebenezer Scrooge in this AFRS (Armed Forces Radio Service) recording from 1943.

Give it a listen:




Next: Hey, wait a minute, isn't that...?

Monday, April 12, 2021

The New Adventures of Sherlock Homes - "The Night Before Christmas" (December 24,1945) - Part 2


If you got a chance to listen to the episode of "The New Adventures of Sherlock Holmes" from December 25, 1945, I'm sure you'll agree that was a pleasant "Night Before Christmas" for radio audiences!




I guess Basil Rathbone is still most known for having played Sherlock Holmes and he certainly was the definitive portrayer for a lot of people for a long time (me included), having played the role in 14 movies from 1939-1946 with the radio series running at the same time.


As a side note, Terry Kilburn, who portrayed Tiny Tim in MGM's "A Christmas Carol" (1938), has a good part in "The Adventures of Sherlock Holmes" (1939), the second and final Holmes film produced by 20th Century Fox before the franchise moved over to Universal in 1942 for a dozen lower-budgeted, but entertaining B-pictures.

Nigel Bruce played Dr. Watson opposite Rathbone's Holmes and it would not be a stretch that Watson was his best-known role. He also has good parts in "Rebecca" (1940) and "Suspicion" (1941) two classic Alfred Hitchcock movies.


Basil Rathbone had a much more varied career and has roles in many classic movies of different genres. I tend to mostly associate him with swashbuckling films, engaging in especially awesome swordfights with Errol Flynn in "Captain Blood" (1935) and "The Adventures of Robin Hood" (1938) and Tyrone Power in "The Mark of Zorro." He later turned in a brilliant comic performance as the villain in the Danny Kaye spoof "The Court Jester" from 1956.


Throw in good roles in the MGM 1935 Dickens adaptations of "David Copperfield" and "A Tale of Two Cities," as well as the 1939 Universal pictures "Tower of London" and "Son of Frankenstein" (Baron Wolf von Frankenstein? Awesome!) and you have just a few films on a great resumé that still resonates with classic film buffs!

Plus, for our purposes, he portrayed Ebenezer Scrooge on records and radio, as well as two separate TV productions, not to mention Marley's Ghost.

Still, if you're going to be mainly remembered for one role, you could do much worse than Sherlock Holmes!

Just for fun, here's a clip from the 1943 movie "Crazy House" showing the comic reactions of Universal Studios when stars Olsen & Johnson arrive on the lot to make a picture:


That's just brilliant!

Sunday, April 11, 2021

The New Adventures of Sherlock Homes - "The Night Before Christmas" (December 24,1945) - Part 1


Since we ran into Basil Rathbone once again with his recording of "The Night Before Christmas," why don't we listen to him in another Christmas story with that title, this time in his famous persona of Sherlock Holmes!

Here we have the December 24, 1945 episode of "The New Adventures of Sherlock Holmes" starring Mr. Rathbone as Holmes, along with his movie sidekick Nigel Bruce as Dr. Watson.

Give it a listen:


Good old-time radio entertainment!


Saturday, April 10, 2021

Basil Rathbone - "The Night Before Christmas" (1942)



"The Night Before Christmas" (1942)
Basil Rathbone
Columbia Records

We now turn from the mash-up of "A Christmas Carol" and "The Night Before Christmas" to a straightforward recording of the poem by frequent Scrooge portrayer Basil Rathbone.

"The Night Before Christmas" being the colloquial title of "A Visit from St. Nicholas," the famous poem credited to Clement C. Moore.

I say "credited to" because there is apparently some debate over whether Moore actually wrote the poem, which was originally published anonymously. Such matters don't matter an awful lot in the general scheme of things, but it's interesting.

In any event, this 12-inch 78rpm record was released by Columbia Records.

Give it a listen:



I've seen this record occasionally listed as being from 1939, but the 1942 date seems more appropriate, as it has a cappella backing from the Robert Mitchell Boychoir with no orchestration, befitting the 1942-1944 musicians' strike and the resulting recording ban.
 
1942 was also the release year for Basil's recording of "A Christmas Carol," which no doubt had a much longer production schedule.

Here's the flipside of "Night Before," "Little Jesus":



Basil Rathbone and Christmas - a good combination!



Saturday, December 5, 2020

"A Christmas Carol" All-Star Team - Day 5




Our "A Christmas Carol" All-Star Team gets bigger as we continue though Christmas Past. After Fezziwig and Dick Wilkins, the next character is young Ebenezer Scrooge himself!

Young Scrooge at this age is always an important part of any adaptation as he remembers what it was like to work for a kind employer, then lose his fiancée as he grew greedier.



My favorite Young Scrooge is Vic Damone in the 1956 TV production of "The Stingiest Man in Town."

It's a musical and Vic was a wonderful singer and works well with opera star Patrice Munsel as Belle.



I said before that I think this is the only time that young Scrooge was a bigger name at the time than old Scrooge (played by Basil Rathbone).

It may seem like odd casting, but it's just crazy enough to work!

Tuesday, June 30, 2020

"A Christmas Carol" (1941) - Victor Records - Part 4



A few (?) words about Ernest Chappell's 1941 adaptation of "A Christmas Carol" on Victor Records and how it compares to a couple of other, more famous, 78 rpm albums from the same timeframe.




The big competition for this set was the album from Decca Records starring Ronald Colman as Scrooge, as both were released for the 1941 holiday season.

Ronald Colman was a big star at the time and everybody loved his voice, so the Decca set would naturally attract more attention, as Ernest Chappell wasn't a household name anyway.




Then 1942 saw Columbia Records issue their version with Basil Rathbone as Scrooge. Rathbone was never as big a star as Colman, but he was still a name to be reckoned with and very familiar to 1940s record buyers. He's probably better remembered today than Ronald Colman, if only because of the Sherlock Holmes connection.

But if you take away the star power, is Ernest Chappell's version better?

Well, one thing it has going for it is a longer running time. The album has four records rather than the three of the other two, so there's more time to work with. Chappell's runs about 40 minutes, whereas Rathbone and Colman get only about 25. So, there's that.

Since Ernest Chappell is an announcer acting as narrator, his version has quite a bit more text from the book, including the "standing in the spirit at your elbow" line, which is so seldom heard.

The Decca version has Ronald Colman narrating as Scrooge, so the vibe is quite different. The Columbia version has a "star" announcer in Harlow Wilcox, but he only provides an introduction. The rest of the recording has the characters providing a lot of expository dialogue.

So, the Chappell version is like someone reading the book to you with the characters acting out scenes, whereas the Colman one is Scrooge telling us his story and the Rathbone version is like it's playing out as we listen.

The approaches are different, which I think is good, as I wouldn't want the same thing over and over with only the cast changing. I also think it's fun that each of the big three record companies of the time had competing versions.

It's interesting that the (RCA) Victor version seems to have the lowest budget, as they were extremely successful at the time with Glenn Miller and Tommy Dorsey among a number of top bands signed to the label.

In the final analysis, if I were back in the early 1940s and could only buy one, I'd still go with Ronald Colman. It's the voice!

Monday, March 2, 2020

The Stingiest Man in Town (1978) - Part 5



A few more thoughts on the 1978 animated version  of "The Stingiest Man in Town" from the Rankin/Bass studio.

As must be obvious from earlier posts, I think this is a misfire on the whole. So, let's drive a few more nails in the coffin!

The first comp would be to the live performance of "Stingiest" from 1956. To me, that has a fun period charm, that this one doesn't have. And Basil Rathbone is well-suited to playing Scrooge, whereas Walter Matthau is not.

In my circles at least, Basil Rathbone is iconic, whereas Walter Matthau is "Oh, yeah, I remember him."

In the world of Rankin/Bass specials, this also does not rate highly. I think it has too many of the faults (generic character design, inconsistent animation) and few of the strengths (Animagic, well-cast vocal talent). And the narrator here gets in the way.

I really do think I would like this a lot better if it had been done with the stop-motion Animagic process. That's what makes Rankin/Bass specials, you know, special.

I might be going out on a limb to admit that I don't like "Frosty the Snowman" as much as some other R/B specials as it's done in traditional animation. But at least it has Jimmy Durante to save it! Here we get Mr. C.

As an animated musical adaptation of "A Christmas Carol," dare we compare it to "Mister Magoo's Christmas Carol?" Well, if we do, clearly "Magoo" is better. Neither "Stingiest" or "Magoo" seems remotely British, but "Magoo" gets away with it because it's presented as a Broadway show. And it's just better anyway!

There's something interesting in every version of "A Christmas Carol," and I always try to look at each version in context, but I also want to be entertained.

This one was more of a history lesson.

Am I being too harsh? Does this one have any defenders?


Saturday, February 8, 2020

Rathbone vs. Colman!



The 1942 recording of "A Christmas Carol" from Columbia Records starring Basil Rathbone invites comparisons to Ronald Colman's version on Decca Records from the year before.

I really like these type of records. It's fun that there are several different ones, as it's interesting to see how the adapters manage to squeeze whatever material they can into the running time available. Both of these are albums of six 12-inch 78 rpm records, so they're about the same length.

I think both are great. Each has a stellar lead and top supporting cast.

As mentioned last time, Ronald Colman's Scrooge narrates the story as if it had already happened sometime in the past, whereas Basil Rathbone is describing things as they happen.

Another difference is that Colman uses his "real" voice, which is awesome, whereas Rathbone affects something of an "old man" voice.

This seems fitting as Ronald Colman was a MOVIE STAR and Basil Rathbone was more of a star character actor.

No doubt who was the star in 1935!

Basil worked his way up a bit by 1938!

Colman never played Scrooge in movies or TV, but Rathbone played Scrooge twice on TV, in 1956 and 1959. He easily could've headlined a movie version, if something like that would've happened.

You can have a fun little mini-marathon watching and listening to Basil Rathbone's various Scrooge projects, throwing in his turn as Marley's Ghost in the 1954 "Shower of Stars" adaptation with Fredric March.

I'm not sure how Ronald Colman would have been as Scrooge in a movie. On the whole, he was too handsome and charming for such a role. I understand that he was protective of his brand and perhaps he wouldn't have wanted to have been buried under makeup not befitting a matinee idol and/or appear in a role that his fans might not like.

But Colman's great voice and acting skills easily translate to the audio world and he does a great job as Scrooge on his recording.

An awesome color photo of Hollywood's British colony. How many of these stars do you recognize?


So, two great actors with different approaches.

I say it's a tie!




Friday, February 7, 2020

A Christmas Carol (1942) - Basil Rathbone - Part 3



The 1942 Columbia Records album of "A Christmas Carol" starring Basil Rathbone consists of six 12-inch 78 rpm records. Each side could hold about four minutes of material, so the whole thing clocks in at just under 24 minutes.

That's the typical length of a lot of audio versions of the story, whether it's a record set or a half-hour radio show. It's what each of those versions does with those twenty-odd minutes that keeps things interesting!

As I had mentioned last time, this starts off with an introduction from popular radio announcer Harlow Wilcox. Once he sets the scene and introduces us to Scrooge, Bob Cratchit (Cratchet) and Fred, we don't hear from him again.

Fred enters the office and says "Betsy" wants Scrooge to come for Christmas, but of course, Scrooge isn't one for such invitations. Scrooge does address him as "Fred" and "Nephew."

In the book, we only learn that the nephew's name is Fred when his wife calls him that in the Christmas Present sequence, but here there's no doubt right from the beginning!

Only one portly gentleman comes in to collect for charity, but he gets the same welcome as usual.

These interactions are brief, but they get the point across just fine.

Then Scrooge and Bob discuss whether Bob should have the next day off. Interestingly, Scrooge tells Bob to come in at 4:00 on Christmas Day!

Scrooge then leaves the office and basically starts narrating the story at this point. He's describing things as they're happening, not as if they had already happened, as was the case with Ronald Colman's Scrooge on his album.

He says he's going to have dinner at what sounds like the "White Harp," which must be his usual melancholy tavern.

For his melancholy dinner he had steak and kidney pie, which he didn't like. I don't blame him, as that sounds like something made from a bad "Chopped" basket!

Scrooge says it's a bedlam due to all the celebrating people. This is interesting because in the book he says he'll retire to Bedlam, which was the nickname for the Bethlehem Royal Hospital, a London psychiatric facility.

How would Boris Karloff been as Scrooge?


I know that mainly from the awesome 1946 horror film of the same name starring Boris Karloff.

Anyway, Scrooge continues his internal monologue as he goes home. He sees Marley's face in the knocker and then Marley's Ghost come through the bolted door.

Marley's Ghost warns Scrooge to change his ways and tells him the other three ghosts will come on successive nights, as in the book.

Marley's Ghost then goes out the window to join "the other lost spirits."

The Marley business is given a fair amount of time, which I guess was to have his exit coincide with the end of that particular record. It's well-done.

The Ghost of Christmas Past shows up a pulls back Scrooge's bed curtains. Scrooge describes the spirit, which largely follows the description in the book. The spirit says its face is the face of everyone Scrooge has ever known, which is sort of in the book, but that happens when the spirit leaves.

Due to time constraints, we only get one scene from the past, which is Fan coming to take lonely, young Ebenezer home. Old Scrooge calls his younger self a "poor little shaver," which is a good old-school expression!

What I find interesting is that when the spirit says that Fan died a woman and had children, Scrooge doesn't correct it to say she had only one, meaning his nephew. I don't think this was meant to imply that Fred has siblings, but it's just interesting!

Scrooge doesn't want to see anymore and winds up back snoring away in his bed. So, no Fezziwig or Belle.

Scrooge goes out to see the Ghost of Christmas Present, who describes how he's decorated Scrooge's room.

Scrooge says the spirit looks like Father Christmas himself.

Scrooge and the spirit go out and the spirit describes some of what they see. The spirit specifically talks about people going to church.

They then pop in to see the Cratchits (I'll spell it correctly!) where two children, presumably Peter and Belinda, are waiting with Mrs. Cratchit for Martha, Bob and Tiny Tim.

Martha comes in and hides when Bob comes in, then the younger two kids go to fetch the goose.

Bob toasts Mr. Scrooge, Mrs C objects, then Tiny Tim says his line. Of note is that Scrooge does not ask the spirit what will become of Tiny Tim.

Come to think of it, Scrooge did not make the "surplus population" remark to the portly gentleman, so it wouldn't have been thrown back at him anyway.

Unusual for this sort of thing, the ghost does show Ignorance and Want to Scrooge. The ghost quotes, "Are there no workhouses..." back to Scrooge.

Scrooge next finds himself in a mist where he meets the Ghost of Christmas Yet to Come, who does not speak in this adaptation. Scrooge continues to react verbally to what happens.

This spirit shows him the other businessman talking about someone who had died and then the charwoman and undertaker's man discussing having purloined some items, including bed curtains.

They next go to the Cratchit house, where Scrooge looks in vain for Tiny Tim.

Next they go a weed ridden churchyard where Scrooge has to feel the letters on the tombstone to make out his name.

Scrooge pleads with the spirit to let him change his ways and winds up back in his bed.

He gets the boy to buy the prize turkey and pays him two crowns, rather than the usual half a crown!

He starts off for Fred's and meets the portly gentleman, where he makes the familiar back payments.

He has dinner with Fred (and Betsy) then beats Bob back to the office later that afternoon.

He and Bob have a very nice scene as Scrooge raises Bob's salary. It's so nice that they both end up crying!

Next: some final(?) thoughts on this production...

Thursday, February 6, 2020

A Christmas Carol (1942) - Basil Rathbone - Part 2



The labels on the records in Columbia Records' 1942 presentation of "A Christmas Carol" tout a "Supporting Cast of Prominent Actors" along with Basil Rathbone as Scrooge.

That's a bit of hype, but they're not far off!



Fortunately, the album includes a cast list and as an Old-Time Radio (OTR) buff, I recognize many of the names. I'm not sure if 1942 listeners knew the names, but they sure knew the voices!



Basil Rathbone is, of course, a famous movie actor, but like a lot of stars of the 1940s, he appeared on radio frequently. Most famously, of course, as Sherlock Holmes.



I really enjoy hearing Harlow Wilcox on here. He was the announcer on "Fibber McGee and Molly," where he always steered the conversation over to Johnson's Wax (the show's sponsor). Among other shows, he also was the announcer for "Suspense!" - another great show.

He's listed as narrator here, but his role is more like that of announcer, as he introduces the story, but then we don't hear him again. Scrooge is really the de facto narrator.



Harlow's castmate from "Fibber," Arthur Q. Bryan, has a couple of parts here, the portly charity collector and one of the businessmen talking about Scrooge's death. He uses mostly his regular voice for the first and adds a bit of a British accent for the second.

Audiences in the 1940s were familiar with his roles as Doc Gamble on "Fibber McGee and Molly" and Floyd the barber on its spinoff "The Great Gildersleeve." Everybody still knows his voice if not his name, as he was the voice of Elmer Fudd!



One of Arthur Q. Bryan's castmates from "Gildersleeve" was Walter Tetley, who plays the boy who buys the turkey. He did a fantastic kid voice well into his forties due to a medical condition. He was terrific as Leroy on "The Great Gildersleeve" and Julius on the Phil Harris and Alice Faye show. Modern audiences will still recognize his voice as that of Sherman from "Mr. Peabody's Improbable History." It's fun to hear his stab at a British accent!



To show how connected these radio actors all were, Walter's castmate from the Harris/Faye show, Elliot Lewis, plays Fred here. He was a really versatile actor, playing a wide variety of roles and also a writer, director and producer. At one point, he was the director of "Suspense!" while Harlow Wilcox was the announcer!



Another versatile talent in the cast is Jay Novello, who plays Bob Cratchet(?) here. He continued to play character roles on TV and in movies through the 1970s.



Mrs. Cratchet is played by Paula Winslowe, another busy actress. She was probably most recognizable as Peg Riley on the radio version of "The Life of Riley" opposite William Bendix.

An interesting early credit for her was dubbing the voice for Jean Harlow's character in the 1937 movie "Saratoga" after the actress's sudden death.



Tiny Tim is played by Tommy Cook, who was a busy child actor on radio and screen. Rather intriguingly, a few years after this record, he played Junior on "The Life of Riley" radio show, so Paula Winslowe was his mother once again! He's still around, by the way, at age 89!

It's funny that two of William Bendix's future co-stars would be involved with a Dickens project. Bendix himself would never fit in with his Brooklyn accent!



Perhaps the most unusual bit of casting is Francis X. Bushman as the Ghost of Christmas Past. He was a huge star during the silent movie era, billed as "the handsomest man in the world."

It was always humorous when he'd be namedropped on "The Beverly Hillbillies" TV show, as the Clampetts were so backward, they thought silent movies were new releases and he was still a matinee idol! I wonder if he got a kick out of that.

Mr. Bushman was doing radio work at the time of this recording and he continued his acting career into the mid-60s, when he was in his 80s. His last role was on the "Batman" TV series which is pretty cool!

So, there is indeed a supporting cast of prominent actors at work here!

Next, we look at the adaptation itself...