Tuesday, February 16, 2021
LIFE Magazine (December 19, 1960)
Sunday, February 14, 2021
Saturday, February 13, 2021
"A Christmas Carol" - World Record Club (1960) - Part 4
A few more thoughts on the World Record Club's recording of "A Christmas Carol" from 1960...
I think it's an interesting take, with the choral and orchestral numbers mixed in, but I think those tend to bring the story to a halt in some instances.
I'm not an aficionado of choral music by any means, but the Bach Choir seems to do a good job. It's a prestigious group, so I'm sure it's high quality.
I do like the orchestral pieces and the background music from the Jacques Orchestra quite a bit. This group was led by Reginald Jacques, but he doesn't get any label credit otherwise.
David Willcocks is listed as the conductor and he and Reginald Jacques were collaborators, with Willcocks taking over as director of the Bach choir from Jacques sometime around when this project was recorded in 1960, so who knows who did what?
Both gentlemen were very accomplished, with David Willcocks in particular having a stellar career!
As for the actors, the fate of the project rests on Bernard Miles and I think he does a great job as the narrator and Scrooge.
I like his delivery as narrator especially, as he has sort of a folksy manner. His accent seems quite pronounced to me. I think I've seen it described as "rustic."
He did a lot of stage work in England over a long career, but also made a number of movies. Mostly British or with British ties, including Alfred Hitchcock's 1956 version of "The Man Who Knew Too Much."
The role of his that I'm most familiar with is his stellar performance as "Joe Gargery" in David Lean's 1946 version of "Great Expectations."
I know I've mentioned this film a few times as a lofty standard for movie adaptations of Charles Dickens works and it really is!
In a movie filled with many brilliantly realized characterizations, Miles as Joe stands out.
Fun fact: Tony Wager, the actor who plays young Pip in that film, also appears in a bit role in a couple scenes in "Scrooge" from 1950!
He's the young man who was working for Fezziwig when Scrooge and Marley take over the business. Scrooge "generously" extends his employment - for a shilling a week less!
The rest of the cast on this recording do a good job.
An odd typo on the original record label and jacket is George Roubicek's last name misspelled as "Rougicek."
He has some cool credits on his résumé with roles in "You Only Live Twice," "The Spy Who Loved Me" and the first "Star Wars" movie, though, so he got the last laugh anyway!
All in all, there's plenty of talent at work in this project. I think it's just so oddly assembled!
Always good to have different versions and I like this one, but it's not definitive.
Friday, February 12, 2021
"A Christmas Carol" - World Record Club (1960) - Part 3
I had mentioned last time that the story element of the World Record Club's 1960 recording of "A Christmas Carol" is very condensed, with large chunks not present.
So, I feel it's my duty to discuss what's there and not there!
We start off with the usual introduction of Scrooge and he interacts with Bob Cratchit and the charity solicitors. No mention of Fred at all, though.
When the narrator tells us about the caroler at Scrooge's keyhole, we hear him sing the beginning of "God Rest You Merry Gentlemen" then the choir takes up the song and sings the whole thing.
Now we understand that the story will be paused occasionally for a choral or orchestral number.
When we get back to the story, Scrooge and Bob close up the office in the usual manner and Scrooge eats his dinner at that melacholy tavern before going home. We do not hear whether he sees Marley's face in his knocker, however.
Marley's Ghost does get quite an introduction and he gets to talk to Scrooge quite a bit, describing his own torment and telling Scrooge to expect the other spirits.
The Ghost of Christmas Past appears and shows Scrooge just a couple of scenes.
They go back to see lonely young Scrooge at school, but no Fan, which makes sense, since there's no Fred.
Scrooge's former self reminds him of the caroler, so that's one lesson.
They then go to Fezziwig's party and that scene gets a pretty good description. Dick Wilkins even gets a mention!
Scrooge says that he'd like to have a word with his own clerk, so that's another lesson.
The past segment ends without any mention of Belle.
Scrooge is then visited by the Ghost of Christmas Present and they go to Bob Cratchit's house right away.
The Cratchit family's Christmas dinner is the only scene during this segment and it gets quite a lot of attention. I'd say it's the longest segment in the whole thing.
Just about everything you'd expect is here but when Scrooge asks the spirit about Tiny Tim, the spirit says Tim will die, the "excess population" bit is not included because Scrooge didn't use that line to the charity solicitors at the beginning.
So, that's good from a continuity standpoint but I think it was a missed opportunity to show that Scrooge is still learning things.
The Ghost of Christmas Present quickly vanishes and the Ghost of Christmas Yet to Come appears.
The future segment is pretty short. We don't get any visions of the future on the recording, but Scrooge says the spirit showed him "much."
So, we don't know what lessons Scrooge may have learned from the future.
Scrooge begs for mercy and promises to change as the spirit dissolves into Scrooge's bedpost.
Scrooge talks to the boy out the window and engages him to buy the turkey for the Cratchits.
There's a musical number plopped in the middle of their conversation, which is particularly jarring.
The narrator wraps up the rest of the story, explaining that Scrooge raised Bob's salary and that Tiny Tim did not die.
One more choral number and we're done!
I do wonder how this project was assembled. Was there a longer version of the story recorded and it was edited down? I tend to think this rather than this version of the story being planned all along.
I mentioned the lessons that Scrooge was learning to get a sense of whether this adaptation holds together as a story.
If you were unfamiliar with the story and heard this version, would you get the full impact? Maybe not!
Most of what we hear is straight from the book, with only a few minor changes. What's here is in the book, but most of the book isn't here!
I like what's here, but would like more of it. I timed the story portion at about 25 minutes, so it's roughly two-thirds story and one-third music. That's actually a fair amount of time to tell the story for a commercial recording, relatively speaking, but the structure seems odd.
I have no idea what the deal is with the "Mrs. Kennedy" who is credited with the adaptation. What did that mean to the record's target audience back in 1960? Was it a selling point?
I'm guessing she's not the former Jacqueline Bouvier who was soon to take up residence in the White House!
Thursday, February 11, 2021
"A Christmas Carol" - World Record Club (1960) - Part 2
If you got the chance to listen to the World Record Club's 1960 recording of "A Christmas Carol" featuring Bernard Miles, I'm sure you'll agree that it's an interesting listen.
When I first listened to it, I was kind of surprised at the amount of choral music it contains, with the story often stopping for a whole number.
The whole thing runs about 37 minutes, so the story really needs to be condensed, especially as time is needed for the music.
As a result, there are chunks of the story that are missing. For example, we don't have Fred at all.
But there are parts of the original text that aren't often included, such as a lot of details leading up to the entrance of Marley's ghost and quite a bit about Mrs. Cratchit's pudding.
In thinking about it and looking at the back of the LP jacket with all of the songs listed, I started to appreciate this as something of an aural tapestry, with the story and the music kind of weaving in and out.
I don't think there's enough of the actual story present to follow it if you're not already familiar with it. Too many gaps.
So we have a different listening experience and, as I often say, I like when a version does something a little different!
Next: Which story elements made the cut?
Wednesday, February 10, 2021
"A Christmas Carol" - World Record Club (1960) - Part 1
"A Christmas Carol" (1960)
Tuesday, February 9, 2021
Bonus: Charles Laughton - "Mr. Pickwick's Christmas" (Decca Records 1944)
Charles Laughton
Decca Records
Watching "The Pickwick Papers" (1952) naturally put me in a Pickwick mood, so I immediately thought of this 1944 78rpm record album from Decca Records featuring Charles Laughton reading "Mr. Pickwick's Christmas."
This particular recording seems inextricably linked with Ronald Colman's Decca recording of "A Christmas Carol" ever since they were reissued as two sides of an LP in 1950.
It's a lot of fun, so give it a listen:
And don't forget that Charles Laughton recorded his own version of "A Christmas Carol" for RCA Victor in 1951, as discussed here, here, here and here!





















